À la Ô Terre
Castle Face Records
RIYL: Amon Düül II; Syd Barrett-era Pink Floyd; the feeling of staring at an album cover while you’re baked out of your skull at age 17
Population II left a heavy impression on me with their performance at this year’s Taverne Tour, the accidentally pre-pandemic timed music festival spread across various Montréal venues in the last weekend of January. The young trio’s timeless approach to psychedelia was also impressive enough to land them a coveted spot on John Dwyer of Thee Oh Sees’ Castle Face Records. Their full-length debut is a seamlessly orchestrated rock ‘n’ roll timewarp, not resembling anything remotely linked to the year 2020.
Showcasing their instrumental agility, Population II flow from one section to the next with passages of dreamy ambience turning on a dime into tumbling drum fills and earth scorching riffs. An eerie wash of organs floats underneath the slow drip of songs like “Ce n’est rêve” and “Attraction” as the band mesmerizes with snaking repetition. Singing drummer Pierre-Luc Gratton pulls off an impressive trick with agonized moans produced like “I Am The Walrus” delivered at the same time as his relentless motorik, letting loose in moments like the delirious conclusion of “À la porte de demain.”
Until the days when the words ‘psych festival’ no longer sound like a distant memory, spark one up to À la Ô Terre and relive the hazy memories.
– Jesse Locke