RIYL: Flaming Tunes; Golden Retriever; “jazz”
As the guitarist of supercharged post-punk band VICTIME, Simon Provencher drenches his shark-toothed riffs in an array of effects until they’re nearly unrecognizable. The trio’s abrasive sound stands in stark contrast to Provencher’s solo debut, an understated diversion into left-field jazz where every element can be clearly identified.
On the EP’s three opening songs, Provencher welcomed clarinetist Elyze Venne-Deshaies and percussionist Olivier Fairfield (FET.NAT, Last Ex, Album) to freely improvise. For his own oblique strategy, the guitarist replaced his effects pedals with twine tied to strings and metal objects wedged into the instrument’s body. The woodwinds provide a melodious foundation as Fairfield crashes and clatters, while Provencher wanders freely across the frets.
Mesures concludes with a trio of songs that emerged as happy accidents. When Provencher mistakenly pressed play on multiple clarinet tracks simultaneously, he was struck by the eerie polyphony these sounds created. Keeping the horns exactly as he heard them, Provencher added sparse strains of feedback, transforming the EP’s back half into a buoyant electro-acoustic collage. Emphasizing results over intention, the proof is in the pudding with this playfully experimental release.
– Jesse Locke