RIYL: Gab Bouchard; Joel Plaskett Emergency; the smell of popcorn
On occasion, I will become obsessed with a small detail in a song. Often the delivery of a word or phrase is the cause of my fixation, but when it comes to the self-titled track of Thierry Larose’s debut LP Cantalou, I am obsessed with a noise. It’s a high-pitch whiney sound that arrives a few seconds into the song. I think it’s a squealing guitar coming to life, but it sounds like a balloon when you slowly let the air out. It’s a weird and funny moment, and it’s probably a very annoying noise if it stood alone, but it doesn’t; it acts as the welcoming committee for the rest of the band to arrive and pulverize their instruments to emphasize the word “Cantalou.”
The pleasure that this sonic detail gives me aligns with the delightfulness of Cantalou as a whole. It’s a playful pop-rock record full of drama and unexpected moments. “Chanson pour Bérénice Einberg” is a moody love letter to the main character of the novel L’Avalée des avalés, and the raw energy of “Rachel” and the nostalgia-fueled “Club vidéo” make me long to hear Larose play these songs live and to move in unison with a sweaty crowd. But for now, I will sway in my increasingly worn-out desk chair to the lively guitar melody of “De la perspective d’un vieil homme” and dream of a brighter tomorrow.
– Laura Stanley
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