RIYL: DIANA; late night rideshares across town; Everything But the Girl
Four artists at the top of their game—house producers Gabriel Rei and Gene Tellem, pop singer/songwriter Laroie, and percussionist Pascal Deaudelin—join forces for this fruitful collaboration that sees each stretching their abilities creatively under a veil of darkness.
The bubbly bass of “Endless Nights” pulls focus quickly, letting the introspective keys establish the nocturnal mood of the quartet’s debut EP. The sustained notes give a sense of the enduring shadow that the song title alludes to and which envelops the entire record, while Laroie’s voice is chopped and looped, stuck in time.
As the material progresses, the band gels and moves away from comfort zones. The song that gives the group their name feels less rooted in house music and more in line with ’80s sophistipop, with the hand-percussion and laid back keys feeling lush and dramatic. Laroie delivers her self-reflective lyrics with a cool restraint that verges on a whisper. For a song that’s about being subsumed by feelings of jealousy, the group keeps things remarkably on the level, but in doing so they emphasize the subtle shifts in Laroie’s voice, and the way the song rises in tension as she reaches the chorus.
For only six songs, what’s exceptional and exciting about this record is hearing how well everyone connects. Whether it’s on the instrumental “Refuge,” which with its glowing keys, insistent drums, and phasing electronics, leans in to the romance of the night, or EP highlight “Influence,” which features an excellent call-and-response vocal part from Laroie and guest Kris Guilty, Volume I is brimming with sharp songwriting talent and is enough to make any listener to never want the night to end.
– Michael Rancic