Lune Très Belle
RIYL: Bernice, Claire Rousay, bells of many sorts
While writing the song “Moisissure,” Lune Très Belle’s Frédérique Roy listened to church bells ringing near her home in Montreal. The bells maintain implicit and explicit presence throughout Roy’s hypnotic second record, Ovale, which is an experimental collaboration that feels guided by the repetitive rhythm of a clock striking or the dissonant resonance of a wind chime.
Ovale’s jazz-inflected soundscapes feature collaborators including Robin Dann and Phil Melanson (both of the Toronto band Bernice), and the album shares Bernice’s playful pop sensibility, as well as the intricate intentionality of Talk Talk’s Spirit of Eden. The compositions often foreground guitar, keys, and Roy’s clear vocal, all woven together with electronic textures, scattered percussion, and found sound. The result is a style both organic and otherworldly. On “Maison,” a synth that sounds like a voice speaks to a flute that sounds like a loon. On “La Mite,” Roy apologizes to a moth she didn’t see, as guitar and piano imitate each other’s phrases. Ovale moves between the meditative and the jarring: soothing harmonies slip into discord and back out again. Listening to it feels like arriving at a clearing in a wood, sitting down and crossing your legs, and tuning into the life around.
– Rosie Long Decter